There are two attractions that are pretty much non-negotiable must-sees for more travelers to Rio — the Cristo Redentor statue, also known as the Christ Redeemer statue, and Pão de Açúcar, also known as Sugarloaf Mountain. Heather and I were no exceptions, and planned to make both a priority during our one week in Rio de Janeiro.
However, we chose to check off each in what I considered especially spectacular fashion.
As a professional photographer and a professional blogger, it pretty much goes without saying that photos are a top priority for Heather and I when we travel (but I went ahead and said it anyway, just in case.) Which is why, despite being very distinctly not morning people — at least not setting-the-alarm-for-before-sunrise-morning-people — we enthusiastically signed on for a Viator Exclusive: Early Access to Christ Redeemer Statue Tour. Photos of Rio’s top attraction without hundreds of our fellow tourists loitering in the background? I could get up early for that.
And so on our first morning in Rio de Janeiro, we sprung out of bed, grabbed our cameras, and set off to meet Jesus — and maybe let him take the wheel (please tell me I have at least one country music fan in this crowd).
Photo by Heather Holt
We were slightly irritated by the three different phone calls back and forth that were required to confirm our tour, but at this point we had grown at least mildly accustomed to the daily miscommunications that were a fact of traveling in Brazil for us. We were also a little bummed that our hostel in Botafogo wasn’t within the pickup zone, which required us to travel in the opposite direction of our final destination in order to reach the designated meeting point for those not on the pickup list, but we just rolled with it.
At 7am, we were scooped up from the meeting point in Copacabana and on our way. Our tour guide Solomon switched seamlessly between English, Portuguese and Spanish for the mini-bus full of travelers from around the Americas, and we settled in for the ride up to Corcovado Mountain.
We reached the ticket gate about ten minutes before the attraction’s opening time, and remarked on the chill at 2,300 feet above sea level — bring a cardigan, friends! As soon as the clock struck 8:00am, we were on the very first official park shuttles from Paineiras (private vehicles cannot go past this point).
When we reached the top, we had the choice of climbing the 220 steps to the top or hopping on the elevator. Heather and I were not shy about practically sprinting onto the elevator in our attempt to be first to the top — and it worked! We probably had a good three or four minutes before the rest of our group appeared, and then another five or six more before another bus-full showed up. It might not sound like much, but if you’re shutter-ready, you can get drool-worthy travel shots in a matter of seconds. When it comes to having one of the world’s top attractions to yourself, every minute matters! We were pretty lucky that things stayed low key the entire hour or so we were onsite.
Photo by Heather Holt
Photo by Heather Holt
When we were finally able to momentarily chill and cede our perfect shot spot for others the snap away at, Solomon filled us in on the history of the iconic statue. Constructed in 1931 from concrete and sandstone and named one of the Seven Wonders of the World in 2007, the statue was bigger in our minds than it was in reality — we both remarked we though it would be bigger! Apparently, we don’t have a concept of what 130 feet tall with a 98 foot arm span really translates to.
GoPro fail // Photos by Heather Holt
The morning, like many in Rio, was foggy, giving the city below us an other-worldly feel — but making it somewhat tricky to photograph. Still, the morning light was perfect for photographing the statue, as well as taking portraits in front of it. And of course that was that whole “escaping the crowds” thing going on too — which was made even more successful by the fact that we came on a weekday.
If you still want to beat the crowds and the heat but your priority is taking photos of the view, you might prefer to come in the late afternoon.
Photo by Heather Holt
About as crowded as it got // Photo by Heather Holt
When Solomon finally summoned us we’d had plenty of time to snap statue selfies, soak up the view and enjoy the morning air. We opted to take the steps back down to basecamp, and after getting the okay from our guide, grabbed a morning tea and snack from the overpriced onsite cafe… which we immediately had to frantically chug/inhale because we were told we couldn’t bring them on the shuttle with us. Ha! Cue us asking Solomon why he encouraged us to get hot beverages when he knew we couldn’t bring them onboard and we had to leave urgently that moment, and filing it away in our “We Literally Never Knew What Was Going On Ever in Brazil” folder.
Would I recommend this tour? I’m going to skip yes and just go straight ahead to DUH. Despite some of the logistical hassles, we were just giddy with happiness at at the swoon-worthy photos and exclusive experience we walked away with. I often find myself seized with stress at big crowded tourist attractions, and it was so dang nice to just saunter around the place like had rented the place out for a small private party of ourselves and a dozen friends.
One thing to keep in mind is you will not be taking that cute little cog train up the mountain. We didn’t read the tour description very well and were a little disappointed, so just be aware of the trade-off when booking. A minibus might be little less glamorous than a train car (and a lot more motion sickness inducing, so prepare for that if needed) but in my opinion the compromise is well worth it.
Back at the base of the mountain, it was time to go our separate ways. The tour actually offers an optional upgrade in which you can visit Sugarloaf on the same day, which is awesome for those with limited time, though because we had a whole week we decided to save that for another outing.
Plus, we had big plans for the rest of the day. We decided to forgo our ride back to south Rio and instead take advantage of being up in the north to do a little DIY walking tour of Lapa and Centro using my trusty guidebook to lead the way.
Next stop? Escadaria Selarón! This expansive piece of open-air, public installation art is the brainchild of Chilean-born Jorge Selarón. Began in 1990, the steps lie between the bohemian neighborhoods of Lapa and Santa Teresa, and are a popular draw for art-lovers from around the world.
Wandering the steps, I was reminded me of similar mosaic installation projects I’ve seen in Philadelphia and in Utila — each the inspiring work of one dedicated artist. This 215 steps that make up this constantly evolving work of art are covered in tiles from over sixty countries, many of them gifts once Selarón’s project became widely known — in the early days, he scavenged tiles from trash and construction sites and sold paintings to fund the work. Selarón once claimed that “this crazy and unique dream will only end on the day of my death,” a quote that felt omniscient in retrospect when he was found dead under mysterious circumstances at the top of the stairs.
While many arrive, take a quick glance around, snap a few photos and then leave, Heather and I spent ages on the steps. We moved slowly, admiring the various tiles and excitedly pointing out to each other the ones from destinations we ourselves had visited. We also did some wonderful people watching — the homes along the stairs are still very much occupied, and it was fun to imagine what it must be like to walk along art every day to make it to your front door.
If you want people-free photos on the steps, you’ll have to follow one of my favorite photography tips: be patient. Still on a roll from our successful morning at Cristo Redentor, we were relentlessly persistent while waiting for those brief moments when the steps cleared so we could frame the shots we envisioned. As you can see from Heather’s behind-the-scenes shot below right, it was no easy feat.
But the portraits we took of each other in front of the most famous section of the stairs were well worth the wait.
Photo by Heather Holt
Photo by Heather Holt
One of the things I love about traveling with Heather is seeing how different the world looks through her lens! One thing this chick excels at is portrait photography. Generally, I am far too shy and too nervous to take portraits when I travel, but Heather comes from a journalist background and really makes magic happen when she points her camera at someone. How beautiful are these portraits of the people of Selarón steps?
After spending so long at the steps we basically became honorary locals, it was time to wander on. We meandered over to the nearby Arcos da Lapa, an aqueduct dating back to the 1700s. A local landmark, the aqueduct was architecturally impressive, but we didn’t linger long in the nearly abandoned square. Both of our guards were up and we later agreed that this square was one of the few places in Brazil that we felt uneasy.
Luckily it was a relatively short walk to our next stop, Catedral Metropolitana Church. Our guidebook had a long list of Rio churches to explore, but this one stood out to us as the one must-see. Built in 1976 after over a decade of construction, the cathedral is a textbook example of ultra modern, brutalist architecture. Though we both felt there was a very strong spaceship inspiration going on, we later read the true muse for the cathedral was the Mayan pyramids.
Next up, we made our way to the Theatro Municipal, a stunning theater built in 1905 to mimic the Paris Opera. Though we skipped the guided tours of the ornate interior, we loved admiring the building from the outside, which truly did feel like a piece of France plopped down in the middle of a South American street.
After wandering by a few more museums, churches, and busy downtown streets, we could wait no longer for lunch. We decided to dine at one of Brazil’s famous per kilo buffets, settling on The Line. Bursting with color and set along a busy, narrow alley, we exercised literally zero self control at the buffet and piled our plates as high as can be before nabbing ourselves two outside seats. For both our heaping plates and drinks below, we paid just 40BRL, or about $11 — not a bad deal in pricey Brazil.
Most tourists head to the Christ the Redeemer statue, but few stick around the explore Lapa and Centro during the day. I can’t recommend more highly to start your day with Viator Exclusive: Early Access Tour, and then take advantage of your location and strategically spend a few hours exploring Rio’s under appreciated downtown.
It was the perfect day. We experienced a very, very different side of Rio than what we saw in the southern zone — and both left so glad we set aside time to explore here. And with a dash of patience and the help of the perfect tour, we captured it beautifully in priceless photos.
What’s your secret for getting crowd-free travel photos?
I am a member of the Viator Ambassador initiative and participated in this tour as part of that program. This post contains affiliate links for which I earn a small percentage of any sale made at absolutely no cost to you. Thank you for supporting Alex in Wanderland!